
REFLECTION COMPOSITION — full-width 16:9 cinematic frame. The subject stands at the edge of a perfectly still pond at the temple grounds, with the subject complete body and the surrounding scene mirrored crisply in the water below. The reflection in the bottom half of the frame is sharp and detailed, showing the subject, the trees, and the pagoda inverted. Symmetrical above-below composition split exactly in the middle horizontally. The water surface is glass-like calm, no ripples. Dreamy mirror-world aesthetic.
REFLECTION COMPOSITION — full-width 16:9 cinematic frame. The subject stands at the edge of a perfectly still pond at the temple grounds, with the subject complete body and the surrounding scene mirrored crisply in the water below. The reflection in the bottom half of the frame is sharp and detailed, showing the subject, the trees, and the pagoda inverted. Symmetrical above-below composition split exactly in the middle horizontally. The water surface is glass-like calm, no ripples. Dreamy mirror-world aesthetic.

Reflection Composition
Using reflective surfaces — water, mirrors, glass — to create symmetry, duality, or visual interest.
When to use
For symmetry, mood, two-worlds storytelling, or to add visual interest.
Pro tips
- •Say "reflection in still water/glass, subject mirrored below"
- •Add "perfect mirror reflection, symmetric composition"
- •Specify the reflective surface: "calm pond, wet pavement, large window"
Related Director's Eye Prompts
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