TWO-SHOT DIALOGUE FRAMING — the subject (the copper-haired girl from the reference) is framed together with A DIFFERENT SECOND PERSON beside her — a second young woman with straight dark brown hair in a plain neutral beige cardigan. The second woman is explicitly NOT the same person as the reference — different face, different hair color, different features. The two women stand side by side, both framed from chest up, both heads at similar height in the frame. The subject is on the LEFT, the second figure on the RIGHT. They face slightly toward each other mid-conversation. Both evenly lit. Classic dialogue two-shot. Hanok village blurred behind.
TWO-SHOT DIALOGUE FRAMING — the subject (the copper-haired girl from the reference) is framed together with A DIFFERENT SECOND PERSON beside her — a second young woman with straight dark brown hair in a plain neutral beige cardigan. The second woman is explicitly NOT the same person as the reference — different face, different hair color, different features. The two women stand side by side, both framed from chest up, both heads at similar height in the frame. The subject is on the LEFT, the second figure on the RIGHT. They face slightly toward each other mid-conversation. Both evenly lit. Classic dialogue two-shot. Hanok village blurred behind.
Two-Shot
Two subjects framed together in the same shot. The standard framing for dialogue and relationship scenes.
When to use
The foundation of dialogue and relationship scenes — when the relationship between two people is the story.
Pro tips
- •Prompt "two-shot, both subjects framed chest-up, heads at similar height"
- •Explicitly describe BOTH people — model may otherwise duplicate one character
- •For clean separation, position: "subject A on left, subject B on right, facing each other"
Related Director's Eye Prompts
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